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FINE ART & ANTIQUES SALE
Live
Venue address
Phoenix House
Lower Bristol Road
Bath, Somerset
BA2 9ES
United Kingdom
FINE ART & ANTIQUES SALE

ONLINE ONLY AUCTION - Viewing available but we continue to operate social distancing measures - Collections Must Be Made By Appointment Only

Auction dates
27 Jul 2021 10:00 BST
Lots: 450
Viewing dates
24 Jul 2021 09:00 - 12:00 BST
26 Jul 2021 09:00 - 17:00 BST
Auction currency
GBP
Accepted cards
Other payment methods
There are 704 lots within this auction
Primary Category
Category
Brand
Item Type
Sorted by
SAMUEL & NATHANIEL BUCK. “The South East Prospect of The City of Bristol”, hand coloured
90 GBP
50 - 100 GBP
Estimate
A coloured re-print of “The South East Prospect of The City of Bath”, after SAMUEL & NATHANIEL
30 GBP
30 - 50 GBP
Estimate
J. B. ALLEN (1803-1876) after THOMAS H. SHEPHERD (1793-1864). “The Hot Baths And New Infirmary,
0 GBP
50 - 70 GBP
Estimate
CHARLES JAMES RICHARDSON, F.S.A. (1806-1871), after WILLES MADDOX (1813-1853). “Objects of Vertu
0 GBP
50 - 70 GBP
Estimate
THOMAS BURKE (1749-1815), after HENRY SINGLETON (1766-1839). A 19th century coloured stipple
20 GBP
40 - 60 GBP
Estimate
WILLIAM WARD (1766-1826), after GEORGE MORLAND (1762-1804). “The Shepherds”; coloured mezzo tint
20 GBP
30 - 50 GBP
Estimate
A group of three 18th century mezzotint portrait engravings of Thomas Sydenham, M. D., Henry Boyle
60 GBP
50 - 70 GBP
Estimate
JOHN SMITH (1652-1742) after SIR GODFREY KNELLER (1646-1742). A group of five late 17th/early 18th
210 GBP
100 - 150 GBP
Estimate
CHARLES ALBERT WALTNER (1846-1925), after SIR FRANCIS DICKSEE (1853-1928). “Harmony”, black &
0 GBP
200 - 300 GBP
Estimate
CHARLES ALBERT WALTNER (1846-1925), after SIR EDWIN BURNE JONES (1833 -1898). The Cumaean Sibyl,
600 GBP
200 - 300 GBP
Estimate
AFTER HENRY WILLIAM BUNBURY (1750-1811). “A LONG MINUET AS DANCED AT BATH”, a very large stipple
1,250 GBP
500 - 700 GBP
Estimate
After JOHN GOULD (1804-1881). “Redstart” & “Stone Chat”, coloured lithographs, publ. by C.
24 GBP
40 - 60 GBP
Estimate
BERNICE SCHWARTZ (Canadian contemporary). A still life study titled: “Magnolias”. Artist’s proof
30 GBP
40 - 60 GBP
Estimate
JOHN BOYDELL (1720-1804), after RICHARD SHORT (fl. 1750). A set of twelve re-prints of black & whit
130 GBP
80 - 120 GBP
Estimate
CHARLES BIRD (1856-1916). A set of six sepia etchings from the Picturesque Old Bristol series,
0 GBP
40 - 60 GBP
Estimate
FRANCES St. CLAIR MILLER (b. 1947). “Wensleydale”. Artist’s proof coloured etching; signed,
40 GBP
50 - 70 GBP
Estimate
A pair of coloured prints after Marinus Johannes de Jongere Drulman (1912-1977), each in glazed
0 GBP
30 - 50 GBP
Estimate
WILLIAM DOUGLAS MACLEOD (1892-1963). A pair of black & white etchings, each of sailing vessels,
40 GBP
80 - 120 GBP
Estimate
BAXTER, George. A coloured print titled: “the love letter received”, depicting a girl seated in a
42 GBP
40 - 60 GBP
Estimate
J. HOUBRAKEN (1698-1780), after J. OLIVER. An 18th century coloured portrait of “Mary queen of
0 GBP
40 - 60 GBP
Estimate
FRANK SHORT, RA, PPRE (1857-1945), after J.M.W. Turner. A classical landscape with ruins & figures
0 GBP
50 - 70 GBP
Estimate
DAVID JONES (1895-1974). Horses on a Welsh hillside. Copper engraving, numbered 92/100 in pencil
220 GBP
80 - 120 GBP
Estimate
After JOSEPH FARQUHARSON (1846-1935). “When The West With Evening Glows”. Coloured engraving; 18”
75 GBP
40 - 60 GBP
Estimate
ROBIN TANNER (1904-1988). “Harvest Festival”. Black & white etching, signed in pencil lower
400 GBP
100 - 150 GBP
Estimate
OHARA KOSON (Japanese, 1877-1945). A study of two swimming carp, coloured wood block print; 9” x
350 GBP
80 - 120 GBP
Estimate
UTAGAWA HIROSHIGE (1797-1858). Three coloured wood block prints: Hakone, picture of the lake; Okabe,
75 GBP
80 - 120 GBP
Estimate
TSUKIOKA YOSHITOSHI (1839-1892). Looking Cute, “The Appearance of a Housewife in the Tenth Year of
0 GBP
80 - 120 GBP
Estimate
SHIBATA ZESHIN (1807-1891). Spring Meadow, a study of horsetails, violets, & dandelions. Coloured
0 GBP
50 - 75 GBP
Estimate
TANSAI (Fl. first half 20th century). A study of a crab in the Shigo/Nanga style. Ink on paper,
0 GBP
50 - 75 GBP
Estimate
After JOSEPH RAPACKI (Polish, 1871-1929). Three black & white lithographs: “The Gossips”, “The
0 GBP
40 - 60 GBP
Estimate
GRAHAM SUTHERLAND (1903-1980). “La Tour Des Oiseaux” (The Tower of Birds). Coloured lithograph,
560 GBP
100 - 200 GBP
Estimate
JANE STROTHER (b. 1956). “Summer House”. Coloured lithograph (artist’s proof), signed & inscribed
50 GBP
70 - 100 GBP
Estimate
KEVIN HUGHES, R. I. (b. 1947). “Blue Gates”. Signed lower right, inscribed & dated 2004 verso;
230 GBP
200 - 300 GBP
Estimate
TREVOR PRICE (b.1966). A couple seated at a table with tea, pears, & roses, St. Ives Bay in the
430 GBP
200 - 300 GBP
Estimate
TREVOR PRICE (b. 1966). A couple resting, with a winter seascape above. Signed lower right; mixed
200 GBP
200 - 300 GBP
Estimate
TREVOR PRICE (b. 1966). An abstract figure study. Signed lower right; mixed media on board: 29¼” x
200 GBP
200 - 300 GBP
Estimate
PAULA PATTERSON (contemporary). A study of a pheasant; watercolour on paper; signed & dated 1994
10 GBP
10 - 20 GBP
Estimate
ERIC ROGERS A.R.C.A. (active 1928 – 1935). An interior scene with three women washing; unsigned,
40 GBP
70 - 100 GBP
Estimate
KEITH ATHAY (Contemporary). “Cold Sea”. Oil on canvas: in scribed & dated “May 05” verso; 20” x 30”,
40 GBP
50 - 100 GBP
Estimate
KERRY HARDING (Contemporary). “Rust Field”. Oil on canvas: signed, inscribed & dated 03 verso; 30” x
100 GBP
200 - 300 GBP
Estimate
LEONARD APPELBEE (1914-2000). An extensive coastal landscape titled: “Morea, Conway”. Signed & dated
200 GBP
300 - 400 GBP
Estimate
LEONARD APPELBEE (1914-2000). A still life study of a brace of pheasant. Signed & dated ’68 lower
0 GBP
200 - 300 GBP
Estimate
ELENA TESHICH (b. 1945) Mountains, Kapaty”. Signed & dated ’92; Oil on canvas laid on board: 20” x
48 GBP
70 - 100 GBP
Estimate
JOSEPH KIRKPATRICK (1872-1936). “This England”. Sepia etching, signed & titled in pencil lower
0 GBP
40 - 60 GBP
Estimate
MACKENZIE THORPE (British, b. 1956). “Time Without Shadows”. Signed, titled, & numbered 107/395 in
50 GBP
80 - 120 GBP
Estimate
PETER JANSSEN (German, 1906-1979). A middle eastern street scene with figures beside a mosque.
42 GBP
50 - 75 GBP
Estimate
ENGLISH SCHOOL, late 18th century. A classical figure study allegorical to the celebration of the
65 GBP
70 - 100 GBP
Estimate
THOMAS BARKER of BATH (1769-1847). A rural upland landscape with shepherd & flock beneath a large
110 GBP
70 - 100 GBP
Estimate
JOHN LINNELL (1792-1882). A rural landscape with shepherd & flock, trees beyond. Signed, pencil &
390 GBP
70 - 100 GBP
Estimate
JAMES JACKSON CURNOCK (Bristol 1839-1891). Two pencil drawings, titled “Henbury” & “The Cottage
0 GBP
60 - 80 GBP
Estimate
THOMAS UWINS, R. A., R.W.S. (1782-1857). A pencil drawing of a French park scene titled “La
0 GBP
40 - 60 GBP
Estimate
EDITH ISABEL BARROW (early 20th century). Coombe Martin Parish Church, North Devon. Signed lower
0 GBP
50 - 70 GBP
Estimate
GEORGE HARRISON (1876-1950). A group of three rural landscapes, probably Bettws-y-coed, each signed;
60 GBP
70 - 100 GBP
Estimate
FREDERICK RICHARD LEE, RA (1798-1879. A mountainous river landscape in Bettws-y-coed, with trees
65 GBP
70 - 100 GBP
Estimate
FREDERICK JAMES ALDRIDGE (1850-1933). A small watercolour painting of sailing vessels in rough seas;
0 GBP
40 - 60 GBP
Estimate
HARRY E. HIME (1863-1933). A mountainous rural landscape with figure on a path to the fore.
0 GBP
80 - 120 GBP
Estimate
HENRI TEBBITT (1854-1927). Sailing vessels in calm waters. Signed lower right; watercolour: 16¾” x
0 GBP
50 - 70 GBP
Estimate
FREDERICK JOHN WIDGERY (1861-1942). A coastal landscape from an elevated viewpoint with heather to
65 GBP
80 - 120 GBP
Estimate
JOHN MOGFORD (1821-1885). A rural mountainous landscape with female figure & her dog on a path to
0 GBP
150 - 250 GBP
Estimate
RUBENS SOUTHEY (1881-1933). A pair of Dartmoor landscapes, watercolour: 13¾” x 20½”, each in
55 GBP
50 - 70 GBP
Estimate